A film guide that looks at Eighth Grade (2018), exploring its key topics and themes through informal discussion. This film is now available to stream for free on Into Film+ https://www.intofilm.org/films/19395

A film guide that looks at Love, Simon (2018), exploring its key topics and themes through informal discussion. This film is now free to stream on Into Film+ https://www.intofilm.org/films/19198

This resource is for learners aged 7+ and will introduce you and your learners to a variety of techniques to develop your skills and knowledge in filmmaking. It consists of ten bitesize 15-minute activity sessions, which can be used together or separately and in any order you like, so that you can cherry-pick which activities suit you and your learners. All activities are inspired by content from films on the Into Film+ catalogue and feature an overview of each filmmaking concept, as well as examples and practical activities for your learners to have a go at each technique. To access the accompanying powerpoint for this resource please visit the Into Film website. Visit our website for information on how to start a free Into Film club or to view more of our curriculum focused resources.

Andrew Onwubolu MBE has developed his craft of filmmaking throughout his career from a self-taught filmmaker uploading music videos and short films to YouTube to being awarded an MBE for services to Drama and Music. This resource comprises three lessons which introduce learners to Andrew Onwubolu, his filmmaking style and debate the role of an auteur in a film production. Download the full resource from the Into Film website. Lesson 1 - Guerilla Filmmaking and Autuer Theory The first lesson in this resource introduces or reacquaints young people studying GCSE or A level Film Studies with the concept of an auteur by analysing the filmmaking style and directorial motifs in Andrew Onwubolu’s film Blue Story and his earlier work Shiro’s Story. This will lead on to analysing the theory and features of auteurism in the films of Spike Lee, John Singleton and Alfred Hitchcock. Learners are then tasked with planning a crowdfunding campaign for a film production before planning and filming a revision film on the topic of auteurism in the style of one of the filmmakers discussed in this lesson. Lesson 2 - Discovering the Auteur This second lesson continues to develop learners’ understanding of auteurism by debating who has the most creative control on a film production before planning a presentation. The project for this lesson is to produce a film in the style of one of the auteurs studied in this lesson sequence, summarising what learners know about auteur theory to be used as a revision aid. Lesson 3 - Debating the Auteur The final lesson in this sequence is an opportunity for learners to practise writing an answer to an examination-style question which is scaffolded with opportunities for peer and class feedback before individuals produce their own essay.

A film guide that looks at The Queen (2006), exploring its key topics and themes through informal discussion. This film is now free to stream on Into Film+. Go to the Into Film website for more information.

Director of hits such as Belle (2013) and A United Kingdom (2017), Amma Asante is one of the UK’s brightest filmmaking talents and has cemented her status as a leading light in the screen industries through the variety of roles that she has had. From her directorial debut in 2004, for which she won the BAFTA for Outstanding Debut by a British Writer or Director, to her role as an Into Film Ambassador and our Careers Patron. This adaptable resource, the second in our Black Filmmakers series, is for use with learners aged 14 -18 who are studying Film Studies and Moving Image Arts primarily, although there are aspects of the lesson plans which are suitable for history and media teaching. The resource looks at the genres Amma Asante has worked within, particularly social realism and historical drama and makes comparisons between Asante and Ken Loach. Due to file size restrictions, the PowerPoint presentations that accompany these lessons will need to be downloaded from the Into Film website.

In this range of resources, Film Studies teachers will find activities specifically designed to introduce set texts to their learners. Focusing on key areas from the exam specifications, students will be introduced to ideas about the film, analysing selected sequences and looking at film stills. Teachers are encouraged to use these activities before, and immediately after, screening the entire film. The final slides of the PowerPoint offer extension activities and ideas about how to continue your study of this film. In this PowerPoint presentation based on Belfast, learners will investigate the context of The Troubles through still images and archive footage. They will also consider the challenges of making films based on childhood memories and they will think about the coming-of-age genre and the combination of fantasy and reality. All of these areas can be extended and there are suggestions for further study.

In this range of resources, Film Studies teachers will find activities specifically designed to introduce set texts to their learners. Focusing on key areas from the exam specifications, students will be introduced to ideas about the film, analysing selected sequences and looking at film stills. Teachers are encouraged to use these activities before, and immediately after, screening the entire film. The final slides of the PowerPoint offer extension activities and ideas about how to continue your study of this film. In this PowerPoint, which introduces Do The Right Thing, students will investigate the context surrounding the making of the film and how it was received at the time. Students will also consider how characters are introduced and analyse the representation of women.

In this range of resources, Film Studies teachers will find activities specifically designed to introduce set texts to their learners. Focusing on key areas from the exam specifications, students will be introduced to ideas about the film, analysing selected sequences and looking at film stills. Teachers are encouraged to use these activities before, and immediately after, screening the entire film. The final slides of the PowerPoint offer extension activities and ideas about how to continue your study of this film. In this PowerPoint presentation, which introduces Sunrise: A Song of Two Humans, learners are introduced to F.W. Murnau, German Expressionism and the silent film. They will also analyse the binary opposites, with a specific focus on women.

In this range of resources, Film Studies teachers will find activities specifically designed to introduce set texts to their learners. Focusing on key areas from the exam specifications, students will be introduced to ideas about the film, analysing selected sequences and looking at film stills. Teachers are encouraged to use these activities before, and immediately after, screening the entire film. The final slides of the PowerPoint offer extension activities and ideas about how to continue your study of this film. In this PowerPoint, which introduces Vertigo, students will research the context of Old Hollywood and consider Alfred Hitchcock’s role as an auteur director. They will investigate Hitchcock’s treatment of women and reflect upon Andrew Sarris’s ideas about technical competence.

In this range of resources, Film Studies teachers will find activities specifically designed to introduce set texts to their learners. Focusing on key areas from the exam specifications, students will be introduced to ideas about the film, analysing selected sequences and looking at film stills. Teachers are encouraged to use these activities before, and immediately after, screening the entire film. The final slides of the PowerPoint offer extension activities and ideas about how to continue your study of this film. In this PowerPoint resource, which introduces* Casablanca*, learners will investigate the context of Old Hollywood, then focus on the narrative and the importance of stars during this period of time.

In this range of resources, Film Studies teachers will find activities specifically designed to introduce set texts to their learners. Focusing on key areas from the exam specifications, students will be introduced to ideas about the film, analysing selected sequences and looking at film stills. Teachers are encouraged to use these activities before, and immediately after, screening the entire film. The final slides of the PowerPoint offer extension activities and ideas about how to continue your study of this film. In this PowerPoint, which introduces District 9, students examine the concept of ideology thinking about how filmmakers communicate their viewpoints and whether there is more freedom for filmmakers outside of Hollywood. Conflict is examined through the narrative theory of binary oppositions.

In this range of resources, Film Studies teachers will find activities specifically designed to introduce set texts to their learners. Focusing on key areas from the exam specifications, students will be introduced to ideas about the film, analysing selected sequences and looking at film stills. Teachers are encouraged to use these activities before, and immediately after, screening the entire film. The final slides of the PowerPoint offer extension activities and ideas about how to continue your study of this film. In this PowerPoint, which introduces Whiplash for A Level, students examine the importance of independent films. They will also analyse sources of conflict and gain a deeper understanding of the representation of gender.